Interactive Audio Installation

8 Years

2020 · Gallery / Live Performance

Eight ice lanterns melt over eight minutes. The water that falls triggers sound. The sound fills the room. The brighter the lights grow, the more heat they throw, the faster the ice melts. The piece programs its own end.

Eight Years, eight ice lanterns arranged in a circle on a dark stage, slowly melting. ACCA Brighton, 2020.
Year 2020
Venue Acoustic Ecology Festival, Attenborough Centre for Creative Arts, Brighton

Each lantern sits above a vesel on the floor. As the ice melts, drops fall into the pooled water below, and each contact triggers that lantern's voice in the score. The composition is released slowly, note by note, drip by drip, building from silence as the ice gives it up.

The piece takes its name from the IPCC's 2019 report. Eight years to act. It doesn't make the argument. It enacts it: a system in which presence accelerates consequence, and the clock is already running.

Audience seated inside the circular arrangement, eight lanterns surrounding them. Attenborough Centre, 2020.

The audience is inside the feedback loop. The noise they make feeds into the system. The more sound in the room, the brighter the lights respond. The brighter the lights, the more heat they generate. The more heat, the faster the melt. The faster the melt, the more the score builds. The room is the instrument and the problem at the same time.

The score is built from drones and field recordings from the Millennium Seed Bank in England, the world's largest seed collection, sounds from the vault where we keep what we are afraid of losing. No two performances are the same. Eight minutes, every time different.

Detail, single lantern close-up, LED glow visible through ice.
Credits
Vocal Composition & Performance Catherine Ireton
System Design & Electronics Luis Berna Moya
Venue Attenborough Centre for Creative Arts, Brighton
Festival Acoustic Ecology Festival 2020

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